Hand-Knotted Baluch Runner | Linked Diamond Medallions | Front View
Hand-Knotted Baluch Runner | Linked Diamond Medallions | Back View
Hand-Knotted Baluch Runner | Linked Diamond Medallions | Detail View
Hand-Knotted Baluch Runner | Linked Diamond Medallions | Detail View

Hand-Knotted Baluch Runner | Linked Diamond Medallions

155-02-04

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This finely composed runner emerges from the Baluch weaving tradition of the Khorasan region, where geometry becomes both structure and symbol, and where the loom serves as a vessel for memory, protection, and identity.

The elongated field is organised along a central axis of linked diamond medallions, each one nested within the next in a continuous and deliberate progression. These forms—at once architectural and talismanic—recall protective emblems deeply embedded in Baluch visual language, evoking notions of guardianship, continuity, and the quiet ordering of space.

Set against a saturated ground of deep madder red, the medallions are articulated with inky indigo outlines and softened by subtle abrash, creating a surface that is neither static nor rigid, but gently alive. The surrounding field is richly animated by a dense constellation of minor motifs—angular, floral, and emblematic—filling the composition with a controlled intensity characteristic of Baluch aesthetics, where emptiness is rarely left unspoken.

The borders, though secondary in scale, reinforce the structure with rhythmic precision, enclosing the field in a measured cadence that mirrors the central progression. The drawing throughout retains a quiet irregularity—slight asymmetries and shifts in alignment—that reveal the hand of the weaver and affirm its origin within a tribal, rather than workshop, context.

It's remarkable length and narrow format suggest its use as a corridor or tent runner, likely placed within a domestic or semi-nomadic interior, where such textiles softened the ground while simultaneously marking passage and space.

Woven in resilient wool the piece carries both durability and a tactile warmth, qualities essential to its original function.

Date: Late 19th to early 20th century (1880- 1920)
Condition: No structural issue or repairs and well preserved considering its considerable length plus its functional use
Colours (4): Deep madder red — oxblood / indigo — inky blue / soft ivory — aged cream / muted saffron — ochre — earthy brown (abrash throughout)
Dimensions: 116 cm × 450 cm (45.7 in × 177.2 in)

Colours and detail may vary depending on your screen, lighting, and device — natural dyes in particular (madder, indigo, walnut) photograph differently than they appear in person. Each piece is one of a kind; we recommend viewing in person or requesting additional photos and video before committing.

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