Tibetan Horse Mask/Yak Takyab | Cinnabar Vase of Abundance

An antique Tibetan takyab horse or yak mask from the late 19th–early 20th century, hand-knotted in Himalayan wool on a vibrant cinnabar ground. The central motif — a stylised floral form rising from a Buddhist vase of abundance — unfolds symmetrically with naïve, poetic charm. Approx. 19 cm (H) x 17 cm (W). Original ties visible on reverse. Mounted in a white frame with cream cotton edge covering and patterned multicoloured cotton back.

This delightful and highly expressive ornament was once affixed to the forehead of a horse or yak — animals of profound importance in Tibetan life, both practical and symbolic. Such pieces were not merely decorative; they served as talismanic protectors, believed to safeguard the animal and its rider from misfortune during travel across the harsh Himalayan terrain.

The composition is centred around a stylised floral motif emerging from a vase-like form — a symbol deeply rooted in Buddhist iconography. This "vase of abundance" (often associated with prosperity and spiritual wealth) gives rise to a blossoming form that unfolds symmetrically across the field. The drawing is naïve yet poetic, imbued with a spontaneous charm that speaks directly of the weaver's hand.

The vibrant cinnabar ground — a colour associated with protection, vitality, and sacred energy — acts as a luminous field against which the floral elements gently float. The scrolling green stems and softly outlined petals introduce a sense of organic movement, while the slightly irregular symmetry enhances the piece's authenticity and vitality.

The contour itself — cut into a winged, almost heraldic shape — reinforces its protective function. It frames the central motif like an emblem or crest, transforming the ornament into a visual invocation of well-being and auspicious passage.

On the reverse, the original fabric backing — now beautifully aged — reveals how the piece was secured, with remnants of ties still visible. This duality between front and back tells a complete story: one of beauty presented outwardly, and functionality quietly supporting it from behind.

Age: Late 19th to early 20th century
Condition: Structurally sound and well preserved overall, considering its use and well-developed patina commensurate with its age.
Colours (5): Cinnabar red / ivory / dark indigo blue / soft sage green / muted apricot — coal — faded rose
Dimensions: Approx. 19 cm (H) x 17 cm (W) / approx. 3.5 in (H) x 6.69 in (W)
Presentation: Rare ethnographic textile mounted in a white frame. Edges covered in cream cotton; back lined with patterned multicoloured cotton.
Technical: Warp — wool / Weft — wool / Pile — hand-knotted wool (cut pile), medium to coarse gauge; spun from resilient, lanolin-rich Himalayan wool