Tibetan Horse Mask/Yak Takyab | Turquoise Backed Endless Knot

A particularly refined antique Tibetan horse or yak mask (takyab) from the late 19th–early 20th century (circa 1880–1910), knotted from resilient Himalayan wool on a warm cinnabar field. The central medallion motif — suggestive of an endless knot or protective emblem — is rendered with quiet geometric precision. The striking turquoise-blue cotton backing provides an unexpected chromatic counterpoint. Approx. 24–28 cm (H) x 20–24 cm (W). Framed in white.

A particularly refined and symbolically rich example — more composed in its drawing, yet still imbued with that unmistakable Tibetan vitality — this antique hand-woven Tibetan horse or yak mask is knotted from resilient wool of the Himalayan Plateau. It presents a beautifully ordered and symbolically resonant composition, where clarity of design meets a softly animated surface.

Set against a warm cinnabar field, gently mellowed by time, the composition is structured around a central medallion-like form. Within it, a geometric motif unfolds with quiet precision — suggestive of an auspicious emblem, perhaps a stylised endless knot or protective sign, rendered in a manner that balances symmetry with subtle irregularity.

The composition expands outward in a measured rhythm. Small flanking elements — resembling simplified floral rosettes or cloud-like forms — introduce movement across the upper field, while below, a stylised triangular motif anchors the design, echoing the idea of a rooted base or offering form.

The overall effect is one of harmony and containment: the energy of the piece is held within a clearly defined structure yet never feels rigid. The softened transitions of colour and the slight asymmetries of the hand-drawn motifs preserve a sense of immediacy and human touch.

The reverse, with its turquoise-blue cotton backing, offers a striking and unexpected chromatic counterpoint — cool, calm, and grounding. Together, front and back speak of an object both purposeful and poetic, once animated in motion across the Tibetan plateau.

Age: Late 19th century to early 20th century (circa 1880–1910)
Condition: Overall well preserved with a pleasing, honest patina. Cotton backing well preserved, with light staining and age-related wear. Structurally intact, retaining original outline and padded edging.
Colours (6): Soft cinnabar red — coral / apricot — warm blush tones / indigo blue / deep brown — near-black detailing / moss green — olive accents / ivory — natural wool highlights
Dimensions: Approx. 24–28 cm (H) x 20–24 cm (W) / approx. 9.4–11.0 in (H) x 7.9–9.4 in (W)
Presentation: Distinctive turquoise-blue cotton backing. Framed in white.
Technical: Warp — hand-spun wool / Weft — wool / Pile — wool